Votive Panels and Popular Piety in Early Modern Italy【電子書籍】[ Fredrika H. Jacobs ]
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価格:17118円
<p>In the late fifteenth century, votive panel paintings, or tavolette votive, began to accumulate around reliquary shrines and miracle-working images throughout Italy. Although often dismissed as popular art of little aesthetic consequence, more than 1,500 panels from the fifteenth and sixteenth centuries are extant, a testimony to their ubiquity and importance in religious practice. Humble in both their materiality and style, they represent donors in prayer and supplicants petitioning a saint at a dramatic moment of crisis. In this book, Fredrika H. Jacobs traces the origins and development of the use of votive panels in this period. She examines the form, context and functional value of votive panels, and considers how they created meaning for the person who dedicated them as well as how they accrued meaning in relationship to other images and objects within a sacred space activated by practices of cultic culture.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。・・・楽天Kobo電子書籍ストア
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<p>This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932.</p> <p>Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising.</p> <p>Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

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<p>James Baldwin in Context provides a wide-ranging collection of approaches to the work of an essential black American author who is just as relevant now as he was during his turbulent heyday in the mid-twentieth century. The perspectives range from those who knew Baldwin personally, to scholars who have dedicated decades to studying him, to a new generation of scholars for whom Baldwin is nearly a historical figure. This collection complements the ever-growing body of scholarship on Baldwin by combining traditional inroads into his work, such as music and expatriation, with new approaches, such as intersectionality and the Black Lives Matter movement.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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<p>La Boh?me - Opera lirica in quattro atti - Musica di Giacomo Puccini su libretto di Giuseppe Giacosa e Luigi Illica, tratto da “Sc?nes de la vie de Boh?me” di Henry Murger.<br /> Riassunto dei quattro atti, personaggi e test completo dell'opera</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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<p>The publishing of The Museum Artist was to record the work of one artist who spent his entire life to the portrayal of history through the medium of museums throughout the United States. Born in Monterrey, California to Helen Marie Hall Peters and Cal N. Peters, both artist and my mother author, artist. After several advanced art schools and a stay in the military I spent most of my life as a graphic designer, illustrator and art director in Southern California. When my father was gone I put away his informative writings, and the records that my mother had kept for so many years. As I approached eighty I felt that was left undone, his life as the Museum Artist. My first contact was the University of Wisconsin-Stout. Amazed at the never forgotten attitude and his place in the archives. The first 33 foot long mural has been over the main entrance of Harvey Hall since 1935. The University has a commemoration of the school in 2014-15 and part will be student essays about Cal N. Peters life, work and paintings. As a recent quote from a staff member his presence is still felt in the halls of this University. It is no wonder that I should author The Museum Artist. This book authenticates his work from museum to museum for more than eighty-five years.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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<p>A jovem Samanta tinha uma vida chata , que resumia-se nas idas ? escola e ?s aulas de piano com a maluca, Sra Margot. Quando conhece Keven, um rapaz estranhamente p?lido e com um aspecto nada saud?vel, Samanta acredita ter encontrado o seu primeiro amor e o respons?vel pelo seu cora??o bater mais acelerado. Contudo, o seu mundo desaba com a morte repentina do rapaz. Mas, talvez, nada esteja perdido e o amor dos dois, tenha sido sim, maior que a pr?pria morte.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

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<ul> <li>Fur Elise or “Bagatelle In A Minor Wo059” was written in 1810 by the German Composer, Ludwig van Beethoven and is one of the most famous Piano Solos in the world.</li> <li>Get to know this timeless piece, easily with the Letter Names embedded in each Note Head for Quick and Easy Reading.</li> <li>Learning to play the Piano can be a challenging and time-consuming process, especially for beginners. With the innovative approach of embedding letter names in each Note Head, reading music becomes quick and easy.</li> <li>This method allows players to easily identify the correct notes and by associating each note with its corresponding letter name, beginner Pianists can quickly grasp the fundamentals of sight-reading.</li> <li>Whether you are just starting out, or looking to enhance your musical abilities, this simplified approach provides a fun and effective way to learn without feeling overwhelmed.</li> <li>So why not give it a try? With SilverTonalities Arrangements, you’ll be amazed at how quickly you can progress and start playing your favorite pieces with confidence!</li> </ul> <p>Embark on your musical journey with SilverTonalities' "Little Pear Tree" Series. This series offers a wide range of genres and teaches fundamental techniques and skills required for aspiring pianists to expand their musical horizons in an engaging and systematic manner.<br /> The Little Pear Tree series is an invaluable resource that will have something to offer for everyone.<br /> So, collect them all and start tickling those ivories!</p> <ul> <li>Preview, pages 1-4</li> <li>Beethoven Fast Facts, page 5</li> <li>Fur Elise Fast Facts, page 6</li> <li>Ludwig van Beethoven Quick Facts, page 7</li> <li>The Key of A Minor, pages 8-13</li> <li>Berens Exercise Number 1 in A Minor, pages 14-15</li> <li>The Key of E Major, pages 16-20</li> <li>Berens Exercise Number 2 in E Major, pages 21-22</li> <li>Beethoven Terminology, page 23</li> <li>The Grand Staff, page 24</li> <li>Beethoven’s Greatest Hits, page 25</li> <li>The Key of C Major, pages 26-30</li> <li>Exercise Number 4 in C Major, page 31-32</li> <li>The Choral Symphony, page 33</li> <li>Exercise Number 19th in C Major, pages 34-36</li> <li>The Key of G Major, pages 37-41</li> <li>Berens Exercise Number 1 in G Major, pages 42-43</li> <li>The Classical Era, page 44</li> <li>Dotted Half Note, page 45</li> <li>The Eroica Symphony, page 46</li> <li>Hanon Number 1, pages 47-48</li> <li>The Fermata, page 49</li> <li>Hanon Number 3, pages 50-51</li> <li>Fidelio, page 52</li> <li>Quarter Note Exercise Treble Clef, page 53</li> <li>The Opera, page 54</li> <li>Quarter Note Exercise Bass Clef, page 55</li> <li>Symphony Number 6, Opus 68 “Pastoral”, page 56</li> <li>Notes on the Treble Staff, page 57</li> <li>Piano Concertos, page 58</li> <li>Notes on the Treble Staff, page 59</li> <li>The Sonata, page 60</li> <li>Notes on the Bass Staff Spaces, page 61</li> <li>Strings Family, page 62</li> <li>Notes on the Bass Staff Lines, page 63</li> <li>The String Quartet, page 64</li> <li>The 3 Periods of Beethoven, page 65</li> <li>Fur Elise Easiest Piano Arrangement, pages 66-69</li> <li>Top 10 Classical Era Composers, page 70</li> <li>Fur Elise Big Note Standard Notation Arrangement, pages 71-74</li> <li>Ludwig van Beethoven “Breaking News”, page 75</li> <li>The Major Scale, page 76</li> </ul>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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<p>Excerpt: "Dripped Absinthe. (Use Absinthe Drip-glass.) Pour one pony of absinthe into the bottom glass, fill the upper (drip) glass full of ice-water. When two-thirds of the water has dripped into the absinthe it is ready to be drunk. A few drops of anisette will improve this drink. Absinthe, Italian Style. Put into a thin eight-ounce glass containing a few lumps of clear ice one pony of absinthe, two dashes maraschino, four dashes anisette. Slowly fill the glass with ice-water, stir well with long bar-spoon. Serve. Absinthe, Swiss Style. Fill a mixing-glass half-full of fine ice, pour into it one pony of absinthe, one pony of water, one dash of gum-syrup. Shake with shaker until very cold, strain into champagne-tumbler, fill up with siphon seltzer."</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。