Othello【電子書籍】[ William Shakespeare ]＞▲◇2751 - カスタマイズ

＜p＞This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932.＜/p＞ ＜p＞Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising.＜/p＞ ＜p＞Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞James Baldwin in Context provides a wide-ranging collection of approaches to the work of an essential black American author who is just as relevant now as he was during his turbulent heyday in the mid-twentieth century. The perspectives range from those who knew Baldwin personally, to scholars who have dedicated decades to studying him, to a new generation of scholars for whom Baldwin is nearly a historical figure. This collection complements the ever-growing body of scholarship on Baldwin by combining traditional inroads into his work, such as music and expatriation, with new approaches, such as intersectionality and the Black Lives Matter movement.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Written over a thirty-five year career, the essays in ＜em＞Civilizing the Museum＜/em＞ introduce students to the powerful, sometimes contested, and often unrealized notion that museums should welcome all because they house the collective memory of all.＜/p＞ ＜p＞Drawing on her experience working in and with museums in the US and throughout the world, Author Elaine Heumann Gurian explores the possibilities for making museums more central and relevant to society.＜/p＞ ＜p＞The twenty-two essays are organized around five main themes:＜/p＞ ＜ul＞ ＜li＞museum definitions＜/li＞ ＜li＞civic responsibility and social service＜/li＞ ＜li＞architectural spaces＜/li＞ ＜li＞exhibitions＜/li＞ ＜li＞spirituality and rationality.＜/li＞ ＜/ul＞ ＜p＞And these themes address the elements that would make museums more inclusive such as:＜/p＞ ＜ul＞ ＜li＞exhibition technique＜/li＞ ＜li＞space configurations＜/li＞ ＜li＞the personality of the director＜/li＞ ＜li＞the role of social service＜/li＞ ＜li＞power sharing＜/li＞ ＜li＞types of museums＜/li＞ ＜li＞the need for emotion humour and spirituality.＜/li＞ ＜/ul＞ ＜p＞Without abandoning the traditional museum processes, Gurian shows how museums can honour tradition whilst embracing the new.＜/p＞ ＜p＞Enriched by her experience in groundbreaking museums, Gurian has provided a book that provokes thought, dialogue and action for students and professionals in the field to realize the inclusive potential of museums.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Crochet: Easy Crochet Patterns: Crochet Patterns for Beginners＜/strong＞＜/p＞ ＜p＞This book is the ＜strong＞ultimate crochet guide!＜/strong＞ This guide will be helpful to everyone that is interested in the great hobby and pastime known as crocheting. The contents of this book will be helpful for beginners, experts, and pretty much everyone in between. Also this eBook is filled with easy crochet patterns and projects, along with ＜strong＞pictures to demonstrate.＜/strong＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The Grand Budapest Hotel recounts the adventures of Gustave H (Ralph Fiennes), a legendary concierge at a famous European hotel between the wars, and Zero Moustafa (Tony Revolori), the lobby boy who becomes his most trusted friend. Acting as a kind of father-figure, M. Gustave leads the resourceful Zero on a journey that involves the theft and recovery of a priceless Renaissance painting; the battle for an enormous family fortune; a desperate chase on motorcycles, trains, sledges and skis; and the sweetest confection of a love affair - all against the back-drop of a suddenly and dramatically changing Continent.＜/p＞ ＜p＞Inspired by the writings of Stefan Zweig, The Grand Budapest Hotel recreates a by-gone era through its arresting visuals and sparkling dialogue. The charm and vibrant colours of the film gradually darken with a sense of melancholy as the forces of history conspire against a vanishing world.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Vertov, Snow, Farocki: Machine Vision and the Posthuman＜/em＞ begins with a comprehensive and original anthropological analysis of Vertov's film ＜em＞The Man With a Movie Camera. Tomas＜/em＞ then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow's ＜em＞La R?gion Centrale＜/em＞ and ＜em＞De La＜/em＞ extend and/or develop important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov's film and the works discussed in the case studies also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a 'relational approach' to the history of media and its contemporary practice, an approach that is no longer focused exclusively on the technical question of the new in contemporary media practices but, in contrast, situates a work and measures its originality in historical, intermedia, and ultimately political terms.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞It feels good to be bad...＜/p＞ ＜p＞Assemble a team of the world’s most dangerous, incarcerated super-villains, provide them with the most powerful arsenal at the government’s disposal, and send them off on a mission to defeat an enigmatic, insuperable entity. U.S. intelligence officer Amanda Waller has determined only a secretly convened group of disparate, despicable individuals with next to nothing to lose will do. However, once they realize they weren’t picked to succeed but chosen for their patent culpability when they inevitably fail, will the Suicide Squad resolve to die trying, or decide it’s every man for himself?＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Seminar paper from the year 2008 in the subject English Language and Literature Studies - Linguistics, grade: 2,0, University of M?nster (Englisches Seminar), course: Systemic Functional Linguistics, language: English, abstract: 'Wherever we look, we see language constituting the world [...], not just reflecting it. For instance, the words for colours make a reality, they don't just name things which are 'there': the spectrum isn't divided into seven primary colours; all the colours merge into one another.' According to structural linguistics, by using language, we are not reflecting a given reality but are rather construing one. Systemic functional grammar, developed by M. A. K. Halliday, states just this construal feature of language as well: That language functions to make meanings (and not to only refer to the outside world). But furthermore elaborates on how a text makes those meanings. It focuses therefore on the functional description of language. The basic assumption is that language use is always functional: 'people do not 'just talk' or 'just write''2 but rather any use of language serves a specific purpose, namely to make meanings. The primary concern of systemic functional linguistics can therefore be summed up under the questions: 'How is language structured for use?'3 How does it make meanings? According to Halliday, language makes meanings on three different levels simultaneously: on the experiental level, because it represents experience, on the interpersonal level, because language is used to interact with each other and on the textual level, because we organize our message somehow. This research paper will focus on the textual metafunction of language, which is the theory of the clause being organized as a message. The aim is to show that text itself construes the context by involving meaningful choices concerning what to put in thematic position and by means of cohesion. Thus, context is not only created through coherence, i.e. the outside knowledge of the text and the cultural context of it, but a huge part of the context can be gathered from the text itself. As Eggins states: 'The choices realised in text are themselves the realization of contextual dimensions.'＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

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