Damage Incorporated Metallica and the Production of Musical Identity【電子書籍】[ Glenn Pillsbury ]＞■○1864 - カスタマイズ

＜p＞Within the last generation, Canadian drama, like other literary forms, has seen the emergence of works by women that re-vision the role of women in history. However, in order to write themselves into theatre history, women have had to negotiate a complex journey through both pages and stages, a network of public production that is highly politically charged at every turn. This book examines the strategies employed by seven feminist productions that have managed to achieve a canonic place in the recorded history of Canadian theatre. All of the plays under consideration here exist (or have existed) in at least one published script form.＜/p＞ ＜p＞However, Dorothy Hadfield’s purpose here is not to analyze these scripts for the definitive meaning of the narratives in these plays, nor is she trying to suggest how a reader or audience should inevitably read them. Instead, Hadfield is trying to account for how and why these scripts came to exist in published form, given the strong implicit connection between publication and a public assumption of good” or successful” theatre. In a system where textual visibility leads to opportunities for study, reproduction and validation for both play and playwright, the permanence of script publication can have real economic and ideological advantages. By analyzing publicity materials, photos, programs, reviews, box office and theatre records, it is possible to trace the process of creating a theatrical success,” as well as to assess what effect that critical verdict has on the shape of the script publications of these works. In effect, by placing the textual artifacts left behind by these performances in the context of their production and reception, in part through a carefully constructed ideological compatibility throughout the production process, it is possible to investigate how the politics of the theatrical process influences what we perceive as good” playwriting.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞(Piano/Vocal/Guitar Songbook). This collection features 21 hits that were at the top of streaming suggestions and party playlists, including: As It Was (Harry Styles) * Dance Monkey (Tones and I) * Dreams (Fleetwood Mac) * Glimpse of Us (Joji) * Leave the Door Open (Silk Sonic) * Peaches (Justin Bieber feat. Daniel Caesar and Giveon) * Permission to Dance (BTS) * Say So (Doja Cat) * Sunroof (Nicky Youre and dazy) * Supalonely (Benee feat. Gus Dapperton) * Victoria's Secret (Jax) * We Don't Talk About Bruno (from Encanto ) * and more.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In "Dramatische Werken: De comedie der liefde; Brand; Peer Gynt" presenteert Henrik Ibsen een verzameling van zijn meest invloedrijke stukken, waarin hij de menselijke waardigheid en de maatschappelijke normen van zijn tijd ter discussie stelt. De verhalen vari?ren van de ironische liefdesperikelen in "De comedie der liefde" tot de existenti?le worstelingen in "Brand" en de mythologische reis van zelfontdekking in "Peer Gynt". Ibsen's literaire stijl kenmerkt zich door zijn scherpzinnige dialogen en psychologische diepgang, wat zijn werken een tijdloze relevantie verleent tijdens de opkomst van het realisme in de 19e eeuw. Elk stuk biedt een kritische reflectie op de thema's van individualisme, verantwoordelijkheden en de zoektocht naar waarheid, wat Ibsen's oeuvre uniek en veelzijdig maakt. Henrik Ibsen, geboren in Noorwegen in 1828, wordt vaak beschouwd als de grondlegger van het moderne drama. Zijn ervaringen met sociale ongelijkheid en de benauwende maatschappelijke conventies van zijn tijd, gecombineerd met zijn dramatische talent, leidden tot het schrijven van stukken die de fundamenten van het theater hebben veranderd. Ibsen's kritische blik op de mensheid en zijn vastberadenheid om thema's zoals moraal en psychologisch conflict te exploreren, vormen de basis van zijn blijvende invloed op de literatuur en theater. Dit boek is een must-read voor iedereen die ge?nteresseerd is in de evolutie van de dramatische kunst en de exploratie van menselijke emoties. Ibsen's meesterwerken bieden niet alleen inzicht in de sociale en culturele context van zijn tijd, maar zijn ook relevant voor de hedendaagse lezer. De combinatie van scherpe maatschappelijke kritiek met po?tische proza maakt deze verzameling tot een onmisbare bijdrage aan elke literaire verzameling.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Agli inizi del Novecento, in Germania pi? che in altri paesi europei, furono affrontate con particolare vivacit? le problematiche legate alla crescita delle citt?, formulando indicazioni per i successivi sviluppi dell'edilizia abitativa. Architetti e urbanisti tra i pi? rappresentativi dell'epoca si impegnarono per soddisfare l'ingente fabbisogno di alloggi popolari attraverso la creazione di citt?-giardino e insediamenti residenziali destinati agli operai.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Este libro contiene una recopilaci?n de poemas que el autor ha querido trasmitir al mundo con sus ＜strong＞impresiones de la vida＜/strong＞, en ?l encontraras poemas con pasi?n que te har?n sentir y disfrutar.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞“合志同方、?道同?，并立??、相下不?。”?是孔子?下的交友?度，?来如?日月之皎?。以此作?本次画展前言的卷首?，即知四位画家?袂?展之初衷。四位画家在生活中互?良?益友，是和而不同、周而不比的君子?交，他?深具握瑜?瑾之才，以其各自的修?学?无愧?当今中国画?六〇后之?楚。蒙?宝?居中作美，遂成金秋??四画家全国巡回展之佳?，美其名曰“合志同方”。四位画家画?殊?、各具?彩。岳黔山?于山水，其画作造境?茫、?墨?横，在?郁雄?的外在情?中透露出松?秀逸的气息，是善于把握画面温度、?造不同山色氛?的大手?；?广健工写兼善，他?心宋、元以?的??精?，尤喜?南田，作品?格冷?安?，冰雪?明与活色生香兼而有之，是当今工?及没骨花?画的??人物；?泉?以其“苗女系列”画作蜚声海内，且数十?心止如水、不?初衷，他以?其典雅富?的?墨?色?予平凡?材??生面的???力，同?他?兼及??写意山水，格??散、古意?然；?小?首先是位收藏家，因其?袖善舞，故能眼高手通；落?之?、心无挂碍，?多任情?俗之作，墨趣横生、妙气凌云，加之急功近?，常助人于厄困之中，是位江湖豪客式的丹青鬼才。四位画家在心手合一的?墨境界中，既表?出各自的?美?向和人生??，同?也是他?襟?气度与人文?淀的?神写照。黔山敦厚、广健?和、泉?素朴、小?率性，各界知音会心之?于四位人品、画品中求仁得仁、求?得?，取舍自有分寸。此次四位画家巡回展，首站香港，而后依次沈?、?波、?博、青?、洛?，最后感惠徇知于北京。相信本次巡回展能???浮?交会之?，彰?上国衣冠、大邦文化的恢宏气度而不辱使命。＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Many churchgoers will recognize the name William Bradbury, a nineteenth-century American composer of popular hymns still sung at Sunday services. Bradbury’s name may also bring to mind ＜em＞Esther, the Beautiful Queen＜/em＞, his choral setting of a text based on the biblical Book of Esther. The uncomplicated score became enormously popular almost immediately after its initial publication in 1856. In ＜em＞From Biblical Book to Musical Megahit: William B. Bradbury’s “Esther, the Beautiful Queen＜/em＞,＜em＞”＜/em＞ Juanita Karpf traces the work’s rich performance and reception history.＜/p＞ ＜p＞Bradbury emphatically stated that he intended ＜em＞Esther＜/em＞ to be sung as an unadorned religious and educational piece. Yet many music directors exploited the potential for his score, producing elaborately staged events with costumes, scenery, and acting. Although directors retained Bradbury’s original music, they nonetheless facilitated ＜em＞Esther＜/em＞’s rapid entr?e into the realm of music theater. This stylistic transformation ignited a firestorm of controversy. Some clergy and religiously pious citizens condemned theatrical representations of biblical texts as the epitome of debauchery, sacrilege, and sin. In contrast, more tolerant and open-minded theater enthusiasts welcomed the dramatic staging of ＜em＞Esther＜/em＞ as wholesome entertainment and as evidence of a refreshingly enlightened approach to biblical interpretation.＜/p＞ ＜p＞However heated this debate seemed at times, it did little to quell the continued rise in popularity of ＜em＞Esther.＜/em＞ In fact, by the late 1860s, Bradbury’s score had worked its way across the continent, north to Canada and, eventually, to Great Britain, Australia, Asia, and Africa. With performances recorded over a century after Bradbury published his score, ＜em＞Esther＜/em＞ became, by any measure, an international megahit.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

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