A Bullfrog at Cafe du Monde Poems from the Heart, Soul and Funnybone of New Orleans【電子書籍】[ Brod Bagert ]＞◆▽1906 - カスタマイズ

＜p＞A highly sought-after collectible, ＜em＞Fairyland＜/em＞ features the exquisite illustrations of Ida Rentoul Outhwaite, a noted artist of the early 20th century. Outhwaite excelled at the depiction of dainty sprites, and her whimsical visions are highlighted by images of kangaroos, koalas, kookaburras, and other creatures of her native Australia. Her art ー with accompanying verses by her sister, Annie R. Rentoul, and stories by her husband, Grenbry Outhwaite ー is populated by princesses, witches, pixies, and other folkloric creatures and abounds in timeless charm. This hardcover edition of Outhwaite's most lavish work features dozens of graceful and imaginative illustrations, including nineteen in full color.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Wire Jewelry Photo Gallery is a book of jewelry photos of my unique handmade jewelry designs. There is a bit of instruction, but not much. Mostly, I just wanted to show you the designs to give you some ideas for your own work.＜/p＞ ＜p＞My professional writing career began in 1980 with the publication of Jean’s Arizona Fan Palm, cutting directions for a 3.2 carat citrine (you can see it in the Handcrafted Jewelry Photo Gallery book in this Kick-Start Creativity series), in the January issue of the Lapidary Journal Gem Cutting Magazine. Many years later my original jewelry designs with step-by-step instructions were being published in various international trade magazines -- e.g. Jewelry Artist, Step-by-Step Beads, Step-by-Step Wire Jewelry, and Jewelry Arts & Lapidary Journal.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Stage Management Basics＜/em＞, second edition, offers a deep dive into the basics of stage management for theatre, dance, and opera productions.＜/p＞ ＜p＞Without assuming any intrinsic prior knowledge of the theatrical field and its associated, specialized terminology, this book covers every aspect of stage management, from reading a script, meeting with a director and theatre staff, and running auditions to communication best practices and opening night protocol. This new edition features brand new chapters on opera, dance, and unions, information on working with intimacy and fight directors, updated tips and tricks, and vibrant color images.＜/p＞ ＜p＞Using simple language and detailed explanations, this book is the perfect primer for the beginning stage management student.＜/p＞ ＜p＞The companion website contains blank form templates, chapter comprehension tests, a suggested reading list, glossary flashcards, and more.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Leaving is the story of Ahmad and Donna, and their unlikely and doomed friendship that develops and then disintegrates. Ahmad arrives in the United Kingdom a lonely man searching for a new home and a new life, he encounters Donna, a disconnected teenager searching for something beyond her routine existence. Their lives are intertwined against a modern backdrop of social dysfunction, fear and ultimately terror that strikes the heart of London. A dramatic turn of events befall the pair, altering their lives forever.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞?Qu? significa ser creativo en la era digital?, ?c?mo se puede o se ha podido en la televisi?n? y ?para qu? serlo justamente en un escenario donde la creatividad parece causa y efecto de s? misma? ?stas son, apenas, algunas de las preguntas que se plantean y se tratan de contestar en los cap?tulos de este libro. Esta edici?n de Tvmorfosis aborda, entre otros temas, ?c?mo ha florecido la ya desahuciada televisi?n?, los cambios que han experimentado las audiencias, las transformaciones de las legislaciones relacionadas con la televisi?n y con los nuevos medios. Adem?s, se tratan casos regionales, como el de Colombia y Brasil, y particulares como las audiencias infantiles o el de la creatividad desde y para el p?blico, o bien, el cambio cultural que se est? gestando en la era digital y con los nuevos modelos de Televisi?n.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Rudyard Kipling's classic jungle tales, in an acclaimed stage adaptation by Stuart Paterson, 'a master of children's theatre' ( ＜em＞Scotsman＜/em＞).＜/p＞ ＜p＞Saved from the jaws of Shere Khan the tiger, Mowgli must learn the Laws of the Jungle from Baloo the bear and Bagheera the panther to survive. A brave little man cub grows into a confident and care-free young boy, but danger is never far away and Shere Khan is hungry for revenge. As Mowgli faces each peril and pitfall, he must decide whether he belongs in the world of men or with the animal kingdom.＜/p＞ ＜p＞Stuart Paterson reimagines Kipling's much-loved stories for a new generation in a vibrant, colourful family adventure that's full of surprises.＜/p＞ ＜p＞This adaptation was first staged by Birmingham Stage Company in 2004.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Whitman claimed that after years of competing for "the usual rewards", he determined to become a poet. He first experimented with a variety of popular literary genres which appealed to the cultural tastes of the period. As early as 1850, he began writing what would become Leaves of Grass, a collection of poetry which he would continue editing and revising until his death. Whitman intended to write a distinctly American epic and used free verse with a cadence based on the Bible. At the end of June 1855, Whitman surprised his brothers with the already-printed first edition of Leaves of Grass. George "didn't think it worth reading".＜br /＞ Whitman paid for the publication of the first edition of Leaves of Grass himself and had it printed at a local print shop during their breaks from commercial jobs. A total of 795 copies were printed. No name is given as author; instead, facing the title page was an engraved portrait done by Samuel Hollyer, but 500 lines in the body of the text he calls himself "Walt Whitman, an American, one of the roughs, a kosmos, disorderly, fleshly, and sensual, no sentimentalist, no stander above men or women or apart from them, no more modest than immodest". The inaugural volume of poetry was preceded by a prose preface of 827 lines. The succeeding untitled twelve poems totaled 2315 linesー1336 lines belonging to the first untitled poem, later called "Song of Myself". The book received its strongest praise from Ralph Waldo Emerson, who wrote a flattering five page letter to Whitman and spoke highly of the book to friends. The first edition of Leaves of Grass was widely distributed and stirred up significant interest, in part due to Emerson's approval, but was occasionally criticized for the seemingly "obscene" nature of the poetry. Geologist John Peter Lesley wrote to Emerson, calling the book "trashy, profane & obscene" and the author "a pretentious ass". On July 11, 1855, a few days after Leaves of Grass was published, Whitman's father died at the age of 65.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞＜strong＞When Zeus invites Alex to a dinner party with the gods on Mount Olympus, it’s an invitation she can’t refuse.＜/strong＞＜/em＞＜/p＞ ＜p＞Busy juggling death magic training with the Fates, ignoring ominous texts from her estranged mother, and fighting with an over-protective Hellhound lover, Alex doesn’t have time for socializing. But she can’t really say no when a cranky cherub delivers Zeus’s dinner invite.＜/p＞ ＜p＞Before Alex can choose her dress for the divine dinner party, a goddess with a dilemma descends on the Crossroads. Demeter warns Alex to skip the dinner party because death is almost certainly on the menu ー and because the goddess needs her help to save a demi-goddess daughter that she’s been hiding for half a millennium.＜/p＞ ＜p＞Olympe isn’t just a goddess’s daughter, she’s the only Keeper alive who can help Alex learn the truth about her unique divine heritage. Alex must risk Zeus’s displeasure and rally her supernatural posse to take on an old enemy and save a new friend, but using her dangerous new death magic might just be the end of everything.＜/p＞ ＜p＞＜em＞Mythical Greek gods, quirky supernatural creatures, a newbie Crossroads Keeper, and a sassy, snarky ... and magical pink-eared poodle battle the forces of chaos in this urban fantasy series filled with adventure, humor, a smidge of romance, and newfound family ties.＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected owing to the pre-eminence of national theatre histories and the difficulty of researching an inherently evanescent phenomenon across large distances. These contributions are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。