Pattern-Making Essentials: Bodices, Sleeves, Blazers, Skirts, and Bottoms | NICHE Fashion & Marketing【電子書籍】[ Nicole Alyanna Wong ]
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<p>This book is a compilation of pattern-making techniques gathered from industry professionals, edited and illustrated in easy-to-follow procedures. It encompasses a variety of clothing categories such as different styles of bodices, skirts, sleeves, tailoring and pants.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。・・・楽天Kobo電子書籍ストア
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<p>"Lady Windermere's Fan, A Play About a Good Woman" is a play in four-acts by Oscar Wilde, first produced in 1892. It is a tale of scandal and the fall of a woman from grace in a hypocritical and absurdly contradictory high society. A sharp comedy packed full of the cutting witticisms and powerful aphorisms for which Wilde is famous, "Lady Windermere's Fan" is not to be missed by fans of the stage and of Wilde's seminal work in particular. Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 - 30 November 1900) was an Irish novelist, playwright, poet, and essayist. Although he produced work in many forms, he is best remembered for being one of London's most popular playwrights in the early 1890s, as well as for his world-famous novel "The Picture of Dorian Gray". Other notable works by this author include: "The Happy Prince and Other Stories" (1888), "A Woman of No Importance" (1893), and "The Importance of Being Earnest" (1898). Read & Co. Classics is proudly republishing this work now in a new edition complete with a specially-commissioned new biography of the author.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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<p>Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected owing to the pre-eminence of national theatre histories and the difficulty of researching an inherently evanescent phenomenon across large distances. These contributions are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。