?塔克《游?》文本的互文性研究【電子書籍】[ 叶松?主? ]
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価格:1133円
<p>?塔克文本的互文性研究》?福建?范大学《中西?野:西方音?研究??》系列??之一。作者魏?,福建?范大学??系副教授,?士生??,美国加州大学洛杉?分校??学者,澳大利?阿徳莱徳大学??学者。本?是在?的博士???文《?塔克文本的互文性研究》的基?上修改而成的。本?以匈牙利当代作曲家吉?吉.?塔克的?琴曲集《游?》(八册共三百余首)?研究?象,引入在文学理?和文化研究?域常?的???“互文性”作??文本的研究?域与解?策略,通?《游?》微型文本的互文性?系以及?象解?,?掘微?形?下《游?》的精神内核,?《游?》文本的互文性?象及深?内涵作?一??示,?示《游?》文本的互文性特性;探?以互文性?音?文本解?策略的可行性,同?彰?互文性研究与??影?研究相比更大的包容性。</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。・・・楽天Kobo電子書籍ストア
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Find Your Creative Self in the Kaleidoscope of Beads & Color<br><br>Beading and my spiritual path are intricately interwoven. It would be difficult for me to separate the two because they are so completely intertwined with one another. As I sit and weave with my beads, I allow the Creative Spirit to flow through me, and though my hands are doing the work, another force is actively participating in the process. This force is a transmission of Spirit that fills me with deep inner peace and joy as I bead. As a result, the practice of my art form has become a creative path to my sacred center.<br>from the Introduction<br><br>Believing that beading is a form of meditation through which we can access the Creative Spirit that is always present in us, master bead artist Rev. Wendy Ellsworth offers multiple ways to explore beading as a spiritual journey of self-discovery. Each of the seven chapters is rich with personal stories, exercises, and beading projects, and each project has a meditative experience to encourage a contemplative spirit and creative play. The project results are beautiful, meaningful symbols designed by a master bead artist for both novice and experienced beaders alike.画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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<p>Seminar paper from the year 2011 in the subject American Studies - Literature, grade: 1,2, , language: English, abstract: In 1938 John Steinbeck began writing The Grapes of Wrath, a novel which was to gain him his greatest acclaim. This novel is set in the time of the Great Depression and of the Dust Bowl in America. In The Grapes of Wrath Steinbeck tries to expose the hardships and plights of the people dispossessed from their lands during that time. People like the Joads from Oklahoma that were to become exploited migrant workers in California, a place which they thought the Promised Land. Hence, Steinbeck gained the reputation of being a 'proletarian writer' because he sides with the common worker. Thus, The Grapes of Wrath also belongs to Steinbeck's Labor Trilogy. What is more, his novel was sharply criticized and very much discussed at the time of its publication: 'It was publicly banned and burned by citizens, it was debated on national radio hook-ups; but above all, it was read'. In spite of all this critique, in 1940 Steinbeck was awarded the Pulitzer Prize for this novel and in 1962 he also won the Noble Prize for Literature. Hence, the Grapes of Wrath must be more than simply a piece of propagandistic writing. In point of fact, 'Steinbeck patterned the book on far more universal themes, both the biblical story of Exodus, and also humanity's capacity for survival (...) in the face of (...) calamity'. It is very interesting that Steinbeck uses biblical parallels in his story. Thus, he alludes to the Old Testament, the Israelites and the Exodus as well as to Christ and the New Testament. In other words, one might also say that Steinbeck takes the reader through the development of the Bible in order to reveal the migrants' developing humanity and religion. This is already suggested by the title of this novel for it is taken from The Battle Hymn of the Republic by Julia Ward Howe. The fact that Steinbeck's great American novel seems to rely firmly on a biblical consciousness is suggested in this context because the lyrics of the Battle Hymn also refer to the biblical passage Revelation. This passage appeals to deliverance in the final judgement. Hence, as far as the novel is concerned, it is suggested that there will also be deliverance of the workers after managing all their hardships and developing compassion and humanity.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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<p><em>Flexible Bodies</em> honors the lives and labor of British South Asian dancers and celebrates their contributions to a distinct and dynamic sector of British dance. Drawing on expertise gained from over seven years dancing in Britain, author Anusha Kedhar presents a multifaceted picture of British South Asian dance as its own distinctive genre.?Analyzing dance works, dance films, rehearsals, and touring - alongside immigration policy, arts funding initiatives, and global economic conditions - <em>Flexible Bodies</em> traces shifts in British South Asian dance from 1990s "Cool Britannia" multiculturalism to fallout from the 2008 global financial crisis and, more recently, the anti-immigration rhetoric leading up to the Brexit referendum in 2016. Kedhar draws on over a decade of interviews and conversations with dancers in Britain as well as in-depth choreographic analysis of major dance works to reveal the creative ways in which British South Asian dancers negotiate neoliberal, multicultural dance markets through an array of flexible bodily practices. Providing a new, critical dance studies lens through which to view the precarious economic, racial, national, and legal positions of South Asians in Britain, <em>Flexible Bodies</em>?ultimately argues for centering dance labor in studies of neoliberalism.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。