Japanamerica How Japanese Pop Culture Has Invaded the U.S.【電子書籍】[ Roland Kelts ]＞◇◆1551 - カスタマイズ

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ITHELL COLQUHOUN D. A. P. (USA).2023 English アメリカ合衆国 ISBN：9781399936484 洋書 Art & Entertainment（芸術＆エンターテインメント） Art

＜p＞The Essential Works of Thomas More presents an enlightening compendium that captures the intellectual vigour and moral probing emblematic of More's oeuvre, ranging from political treatises to philosophical discourses. This anthology celebrates the variegated landscape of More's thought, skillfully juxtaposed against Roper'??s intricate biographical sketches. With a blend of speculative fiction, such as the timeless 'Utopia,' and incisive political commentary, readers are treated to a mosaic of works that challenge prevailing socio-political paradigms while offering reflective visions of ethical governance, justice, and humanism. The anthology is a testament to the collaborative vision of its contributors, notably William Roper, whose intimate portrayals provide a unique vantage into More's life and work. Both authors are steeped in the rich humanist tradition of Renaissance thought, drawing readers into the cultural and philosophical currents of their time. More's writings, alongside Roper's insightful narrative, bring to life the transformative dialogues of the early 16th century, wedged amid the backdrop of Reformation and Renaissance. For scholars and enthusiasts alike, this collection offers a profound entry point into the complexities of More's ideological legacy. The Essential Works of Thomas More empowers readers to traverse a historical tapestry woven from the threads of philosophical inquiry and daring imagination. As a comprehensive scholarly resource, it invites a deeper understanding of Renaissance humanism and its relevance to contemporary discourses on society and ethics, facilitating a stimulating intertextual conversation across eras.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Collana Architettura e Complessit? diretta da Antonio Piva "C'? da rifare il tetto. Con l'ultima pioggia nel soggiorno sopra la finestra che guarda il lago, un rigagnolo d'acqua aveva alimentato una pozza che si era allargata sul davanzale e poi si era trasferita sul pavimento di piastrelle verdi formando un alone in movimento progressivo". Cos? si apre questo strano viaggio dell'autore, un viaggio nello spazio e nella memoria, una continua digressione tra passato e presente, tra storia e immaginazione, tra esperienza e sentimento. Siamo nella casa di Galliate Lombardo, una costruzione progettata da Franca negli anni Cinquanta ? da questa straordinaria architettura, ancorata alla terra e protesa verso il lago di Varese, che prende vita il racconto, una narrazione che origina dallo spazio reale e attuale in cui sono sedimentate non solo le tracce di un passato che impelle per riproporsi, ma anche le premesse per accogliere e accompagnare il cambiamento connesso al fluire della vita. ? dunque l'architettura il filo conduttore del racconto, un'architettura fatta di spazi e di paesaggi attraversati, abitati, vissuti. E di persone che a quegli spazi si sono indissolubilmente legate, fino a lasciare le tracce del loro passaggio e i segni delle loro anime in luoghi che man mano riprendono vita. Cos?, nel rintracciare i contorni di quegli spazi, emergono frammenti di memoria e di caratteri che si ricompattano nella ricerca di un senso trasmissibile e riconducibile, ancora una volta, allo spazio, interiore ed esteriore. Fino alla conclusione, una sorta di accorata dichiarazione su ci? che una scuola di architettura dovrebbe trasmettere, riassumibile nella capacit? di articolare e costruire quel pensiero complesso e interdisciplinare ereditato dai maestri che lo stesso autore celebra, ogni anno, attraverso seminari dedicati. Ancora una testimonianza della necessit? di costruire rinnovandosi sul proprio passato. E di progettare il futuro. Antonio Piva si laurea in architettura presso l'Istituto Universitario di Architettura di Venezia. Si forma presso lo Studio di Architettura di Franco Albini e Franca Helg sui grandi temi del progetto di architettura, del design e della museografia, che accompagna all'attivit? didattica e scientifica. ? Professore Ordinario di Progettazione Architettonica presso la Facolt? di Architettura e Societ? del Politecnico di Milano, Direttore del Laboratorio di Progettazione del DIAP e Presidente del Corso di Studi in Architettura e Societ?. ? autore di numerosi saggi e volumi di museografia e di critica architettonica. Ha organizzato e diretto convegni internazionali sull'architettura dei musei, sulla critica architettonica e su tematiche legate all'architettura e al progetto, incoraggiando momenti di riflessione e confronto con esponenti di altre discipline e ambiti professionali.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞＜strong＞A stubborn business owner, a volunteer firefighter, a forgotten past, and an arsonist. Is it a recipe for love or disaster?＜/strong＞＜/em＞＜/p＞ ＜p＞?lodie Paradis won't let two devastating fires and a theft stand in her way. She's set on keeping her family's Sugar Bush running like it has for one hundred years. She needs to hire a contractor to rebuild the cabin. The only available builder is a man she refuses to trust. He's burned her twice before, and she's fresh out of forgiveness.＜/p＞ ＜p＞Bastian Roy is fighting hard to leave his philandering reputation behind. As a volunteer firefighter, he strives to be a respected Eastwood resident. The perfect opportunity comes knocking when the town's jewel needs to be rebuilt. If he can figure out what grudge ?lodie holds against him, it will be the best job to solidify his family legacy.＜/p＞ ＜p＞Tensions run hot between them, slipping from prejudice to friendship. Together, they'll build something new. But relationships are fragile when they're built on a shaky past. Especially when tragedy lurks just around the corner.＜/p＞ ＜p＞＜em＞This small-town enemies-to-lovers slow burn is the first book in the Caribou River series but can be read as a standalone.＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. It focusses on repertoires and geographical areas that have not previously been well frequented in musicology. As readers will see, music has many roles to play in society. Music can be a generator of social phenomena, or a result of them; it can enhance or activate social actions, or simply co-habit with them. Above all, music has a stable position within society, in that it actively participates in it. Music can either describe or prescribe social aspects; musicians may have a certain position/role in society (e.g., the “popstar” as fashion leader, spokesman for political issues, etc.). Depending on the type of society, music may have a certain “meaning” or “function” (music does not mean the same thing everywhere in the world). Lastly, music can define a society, and it is not uncommon for it to best define a particular historical moment.＜/p＞ ＜p＞Case-studies in this work provide visibility for musical cultures that are rarely exposed in the dominant musicological discourse. Several contributions combine musicological analysis with "insider-musician" points of view. Some essays in the collection address the cultural clash between certain types of music/musicians and the respective institutional counterparts, while certain contributing authors draw on experimental research findings.＜/p＞ ＜p＞Throughout this book we see how musics are socially significant, and - at the same time - that societies are musically significant too. Thus the book will appeal to musicologists, cultural scholars and semioticians, amongst others.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Contemporary television has been marked by such exceptional programming that it is now common to hear claims that TV has finally become an art. In ＜em＞Appreciating the Art of Television＜/em＞, Nannicelli contends that televisual art is not a recent development, but has in fact existed for a long time. Yet despite the flourishing of two relevant academic subfieldsーthe philosophy of film and television aestheticsーthere is little scholarship on television, ＜em＞in general＜/em＞, as an art form. This book aims to provide scholars active in television aesthetics with a critical overview of the relevant philosophical literature, while also giving philosophers of film a particular account of the art of television that will hopefully spur further interest and debate. It offers the first sustained theoretical examination of what is involved in appreciating television as an art and how this bears on the practical business of television scholars, critics, students, and fansーnamely the comprehension, interpretation, and evaluation of specific televisual artworks.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Petite Classics for Easiest Piano Booklet G3＜/p＞ ＜p＞Popular Classics for Beginner and Novice Pianists by SilverTonalities!＜/p＞ ＜p＞Letter Names Embedded in Noteheads＜/p＞ ＜p＞For Quick and Easy Reading!＜/p＞ ＜p＞Booklet G3 includes:＜/p＞ ＜p＞Citizen Spirit Waltz Opus 295 by Johann Strauss Junior＜br /＞ Flight of the Bumble Bee by Nikolai Rimsky Korsakov＜br /＞ Queen of the Sea Waltz by John Philip Sousa＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Modigliani’s human subjects invariably have almond-shaped eyes with long, slightly twisted noses, small pursed mouths, and elongated necks. The majority of his works are semi-formal portraits that radiate a somewhat sculptural quality, suggesting his early roots as a sculptor. Amedeo Modigliani was an Italian Sephardic Jew, born in the port town of Livorno on the northwestern coast of Tuscany on July 12, 1884. He died young, just on the verge of discovery as an artistic genius, on January 24, 1920, in a Parisian garret. Modigliani sold few paintings and drawings in his lifetime, more often giving them away in exchange for a meal or as a token of friendship. Modigliani’s reputation for drinking and drug excesses earned him the nickname Modi, which was not just a shortening of his name, but also a pun on the French word maudit meaning “cursed.” Honored at his death by the presence of his artist peers - including L?ger, Derain, Brancusi, and even Picasso - his tombstone reads, “Struck down by Death at the moment of glory.” The romance, passion, and tragedy of his life was echoed after his death by the suicide of his pregnant 22-year-old paramour Jeanne H?buterne. She orphaned their 14-month-old daughter.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。